People & Place
Part 4 : People interacting with place
Projects and Exercises
I tackled these by keeping both mental and written notes of the exercises in mind as I visited various locations. My aim was to then analyse why I took a particular photograph at a particular time. The exercises covered:-
A single figure small
Busy traffic, i.e. ebb and flow of people
Anonymous figures (2 to 4)
Balancing figure and space – varying attention between them
Selecting processing and prominence – using digital processing methods
My first thought was that I should be pretty good at making figures anonymous given my reluctance to get up there close!
Here are the locations
London September 2012
I have a fascination with these doors (even though they don’t really make a good backdrop because of their beige/brown colour) and endeavour to take a photograph every time I’m in the area. The main problem is that I have to stand across the road to get a good view. Thinking about balancing figure and space; I think the last one works best. They are walking towards each other but both appear oblivious of place or people; one of them with his ear phones and the other on his mobile phone.
Mainly anonymous – facing away, almost in silhouette. I framed this shot so that I could include the two men back left. I was interested how the sleeping man was guarding his trolley bag, whilst being ignored by the two young men front right. They were standing so near to him. Would I stand so near whilst talking to someone? I think probably not as there would be my inner politeness regarding not wanting to disturb him plus not wanting him to overhear what I was talking about. Is this something again about anonymity in a City full of strangers? Would they stand so near if it happened in Woking rather than London?
Figures fairly small and few rather than many. I was interested in how they were spectators ‘on show’.
The interesting aspect for me about Trafalgar Square is, why do people want to climb on the lions and sit on steps?
Small and many; facing away, party obscured.
The young men below were organising themselves for a group shot so I took one as well ‘surreptitiously’ and was then rather taken aback when one of them gesticulated at me. I thought he was telling me off but in fact he wanted me to take a photograph of them with his iPad. Of course, that then gave me carte blanche to ask if I could take one also. At this point they moved from ‘unaware’ and ‘anonymous’ to ‘aware’ and ‘slight acquaintance’.
Could have done better. There’s some distortion from my smaller camera, pointing upwards; portrait format or TSE lense would have been preferable I think, but they did pose nicely for me. I think this is actually more of a snapshot than my first one though. Also ‘people unaware’ can show more animation and liveliness.
Anonymous figures and facing away again apart from the gentleman left front. I was intrigued – was this really a policeman or someone wearing a policeman’s hat? Was he helping her up or down or pulling her down off a rather precarious spot?
Almost a single figure and showing his smallness in relation to the lion
More on balancing figure and space
the last one works better for me in terms of balance.
Brighton, November 2012
People interacting with place
That wonderful, long wavy hair drew me, another young woman’s pale blue eyes matched the stands and there was some motion blur as well.
and also performing.
He had a very appreciative audience and I also moved further around to take the second shot as I liked his posture.
What interested me here was his total absorption in what he was doing and also that he was doing this without an audience (except for me of course), although I don’t recall him being aware of me.
London 7th December 2012
Small, anonymous people, ebbing and flowing on their way from here to there.
Figures in a landscape 8th December 2012
Anonymous and mainly small figures and, as ever, they are there to enhance the landscape for me.
London January 2013
On the way to Somerset House
There can be a crowd of anonymous people but, then, someone stands out and the girl in the grey coat did that for me..
From Somerset House along Waterloo Bridge
It was misty and late afternoon – people getting ready for the end of the day. As I followed them I was drawn by their silhouettes against the skyline and buildings.
I waited until the sunset deepened against the mist so I could look at the view as well.
Victoria & Albert Museum – February 2013
Anonymous people, indoors, coming; going and sketching
I felt self-conscious to begin with, as I usually do but once I started photographing people it became easier and I relaxed. I began to realise that it isn’t usually the people in themselves that attract me but the patterns and shapes they make in the environment. I wondered about the life that people give to built environments as in what would an empty Trafalgar Square look like? I also thought again about the differences between portrait, landscape and social documentary in terms of the balance between people and space and how much focus is given to activity. For instance, I think most of the photographs I took in London/Trafalgar Square are mainly on the social documentary spectrum, apart from the posed young men which is a snapshot cum group portrait whereas the ones I took on the Common are still landscape (I think?) because the figures are small. What about the ones on Waterloo Bridge though?
30th April 2013